Let no question
go unanswered.

Reed, bamboo and woven mat solutions can be considered for terraces, gardens, poolsides, beaches, hotels, restaurants and outdoor lounge areas. The exact scope of work is determined by the space and the project details.

The first step is to decide on the area of use and the atmosphere you want. A free-fringed reed roof, a woven mat ceiling and linear bamboo applications each carry a different visual character. You can compare them on the product pages.

Location, approximate dimensions, photos of the space, the existing support structure and your intended use are enough to start. You can bring this information together in the project file tool.

Under the custom design heading, spaces that do not fit a standard format and different material combinations are handled. Feasibility and details become clear after the site survey.

Shading and waterproofing are not the same function. If waterproofing is expected, the roof layers, slope, joints and drainage must be engineered separately. Waterproofness should not be inferred from the look of a material alone.

Material type, the treatments applied to the product, the installation method and local conditions must be considered together. For this reason no single duration is stated for every product; the technical information of the chosen product and the conditions of installation are the basis.

The new images in this design version are architectural concepts produced from shared material references. Photos on the reference board are labelled separately. They make no claim about a client, a location or a completed project.

You can download the project note to your device, copy it or take it into a WhatsApp conversation; none of these sends a request. When WhatsApp opens, you review the message and send it yourself. If you prefer, you can use the Send request button to pass your details to us; if the submission succeeds you will see a reference number.

A reed thatch roof is a long-fibred, fringed covering that closes the top of a space such as a pavilion, veranda or poolside. A reed parasol is a free-standing application with a conical form that creates shade with a single element; on beaches and in gardens its repeated shadows build a language for the space. Which one suits depends on the size and use of the area.

No. These names are used on the market for different natural coverings, and trade names can refer to different products. The images on the site show one interpretation; the botanical species, fibre length, panel size and suitability for outdoor use are clarified through the sample and the supplier’s information.

No. A hanging fringe is not a full roof covering but an edge finish that runs along the sides of a pergola, shade structure or bar top. The fixing line, free fringe length and transition height are designed from measurements; the distance to lighting and heat sources is assessed separately.

Bamboo diameter and the spacing of the elements change both shade and how much can be seen through. For a pergola, the connection points and the existing supporting structure are checked during the survey; for a fence, the frame, fixing points and the detail where it meets the ground are planned before installation.

A woven reed ceiling is considered for areas such as restaurants, lounges and verandas, and woven wall panels for walls and niches indoors. Whether the material suits an open or closed space, and conditions such as wet areas or heat sources, are checked separately together with the project conditions; panel joints, edge finishes and lighting points are planned together.

No. The bar and counter cladding is for the front face of the counter; the top surface that touches food is a different material. Corner returns, cleaning needs, access hatches and impact areas are detailed.

A gazebo or pergola house is a form of structure; the roof material is chosen separately. The Bali-style structures heading covers natural roofing and surface application; habitable construction, structural design, utilities and permit processes are assessed separately from the cladding work. Ground connections and the supporting solution are designed together with the dimensions of the area.

For wind load, the suitability of the existing supporting structure is assessed separately; for applications such as fences, rolls and roofs, the connection spacing and fixing are chosen accordingly. Shading and waterproofing are not the same function; if you expect waterproofing, the roof layers, slope, joints and drainage are designed separately.

Dry natural-fibre materials such as reed, woven reed and bamboo are combustible. Open flames, barbecues and grills, cigarettes, fireworks and use close to electrical or heat sources call for care; the distance to lighting and heat sources is assessed separately at the design stage. This site makes no claim about any material’s fire resistance; the necessary precautions and the relevant regulations are determined by the project and the type of use.

Outdoors, natural materials change in colour and texture over time; sun can lighten the tone, and humidity and salty air can affect the surface. This is a natural change, but its extent differs with the material, treatments, installation and local conditions. That is why no single duration or outcome is stated for any product.

In general it is recommended to check the surface periodically, clear fallen fibres and leaves, and look at whether connections and ties are loosening. For cleaning and protection, the technical information of the chosen product is the reference. The state of an existing installation is reviewed in the maintenance and renewal service; if fibres are breaking up, ties are loosening or the joints with the supporting structure have problems, a local repair or a more extensive renewal is assessed.

Yes. Natural materials can vary in colour and texture depending on the batch, fibre direction and density. That is why colour and texture are settled with a sample; how well new material matches an existing surface is also assessed separately during maintenance and renewal.

The process runs around three services: in survey and consultancy the area, dimensions, sun direction and expectations are assessed; in installation the measurements, supporting connections and installation order are settled and the cladding is applied; in maintenance and renewal the existing installation is examined. Once the scope is written down, price and schedule are assessed on that scope.

Yes. The Service Regions page lists 17 regions across the Aegean, the Mediterranean and Northern Cyprus; you can write to us from a location that is not on the list too. State the location in your quote request or in the project file on the contact page and the team will look at the project and the region together.

Often not. Woven reed usually describes a surface made by weaving plant stems, while reed fencing refers to the roll or fence form in which thin stems are tied side by side; thatch reed is the long-fibred covering used on roofs. Because names are often mixed up on the market, it is better to settle which surface you mean through a sample and a project conversation.

The supporting structure is the frame that carries the covering; timber or metal is usually used. In a new structure it is planned together with the covering; if there is an existing pergola or roof, its dimensions, connection points and load-bearing condition are checked during the survey. Suitability can be stated after an inspection, not from a photograph.

In a sample, fibre direction, colour tone, texture and fringe length are assessed together; the same material can look different in different light. It is best to examine the sample in the space’s own light and close to the surface where it will be used. The topic of samples is discussed in the project conversation.

If moisture stays on natural fibres for a long time, the risk of mould and rot can increase; that is why air circulation, drainage and the surface’s ability to dry matter in the design. In shaded, enclosed or water-adjacent areas, the connection details and the points of contact with the structure are reviewed with particular care. Because the effect varies with the material, the installation and the surroundings, no definite outcome is promised.

Indoors, bamboo is considered for bar-front cladding, wall surfaces, screens and decorative details. Conditions such as closeness to heat sources, wet areas and cleaning needs are checked separately per project. Bamboo diameter and the spacing of the elements change both the look and the relationship with lighting.

This depends on the dimensions, spans and load-bearing condition of the existing structure. In the survey the connection points, slope and edge finishes are examined; additional reinforcement or an intermediate frame may be needed. If you share photos and approximate dimensions, that is a good start for a first assessment.

Slope affects how water runs off the surface and how the fibres lie; roof form, fringe length and connection detail are considered together with it. Because a suitable slope varies with the material, the span and the use, no single value is stated on the site. Shading and waterproofing are not the same function; if you expect waterproofing, it is designed separately.

This depends on how the area is used and on the scope of the work. In operating venues such as beaches, restaurants or hotels, the installation is planned with visitor density and the season in mind; which section closes and when is settled after the survey. The safety of the work area and the circulation routes are part of that plan.

Access to the area for vehicles and materials, the condition of the ground, the existing structure and the electrical or lighting points should be known from the start. Furniture and fittings may need to be removed from the work zone or protected. These points are reviewed together in the survey, and what needs to be ready on site is clarified.

Reed, woven reed and bamboo are dry and combustible; that is why the distance to light fittings, heaters, cable routes and open-flame sources is considered together at the design stage. Electrical installation should be done by qualified people; which product may be used at what distance is determined by the product information and the relevant regulations. This site makes no fire-resistance claim.

Shade moves through the day; the angle of the sun in the morning, at noon and in the evening affects the area differently. The placement of parasols, a pergola or a roof is planned together with the sun direction, usage hours and seating layout. Photos of the area taken at different times and the direction it faces make the plan easier.

In large projects the areas are usually grouped by type of use; for example beach shade structures, a restaurant terrace and lobby surfaces may call for different solutions. The work can be divided into sections so that the venue’s operating routine and the season are taken into account. Scope and sequence are settled per project after the survey.

Colour, texture, form and scale are assessed together; the way the natural material will sit with existing surfaces such as timber, stone and plaster is considered. Photos of the space and any reference images you like help at this stage. The final decision should be made on a sample, in the space’s own light.

With natural-fibre coverings, loose fibres falling off can be normal, especially in the early period. Wind and heavy use can increase it. If the shedding grows unusually, gaps appear or ties loosen, the surface should be examined under maintenance and renewal.

Bird and insect activity can occur on thick-fibred, open surfaces; location, surrounding vegetation, food and water sources and the cleaning routine all play a part. Regular surface checks and clearing fallen material are generally recommended. If you have an installation with a problem, we can look at it together in the maintenance and renewal service.

Before and after storms or periods of heavy rain it helps to visually check the ties, the connections to the structure, the edge finishes and any fallen fibres. Places that hold water, loosening ties or changes in colour and texture should be noted and photographed. If you would have to climb to a high area, it is safer to leave the check to professionals.

That depends on how far the wear extends. The surface and the joints with the structure are examined; if the problem is in one area, a local repair is compared with a full renewal if it is widespread. Photos of the current state and what you know about when the installation was made help the first assessment.

Saz Vibe is a team based in Aydın; the Service Regions page lists 17 regions in total across the Aegean, the Mediterranean and Northern Cyprus. They include Bodrum, Çeşme and Alaçatı, Kaş and Kalkan, Kemer, Belek, Alanya, Kyrenia and İskele. If your location is not on the list, write to us anyway and we will look at the project together.

Yes; the Kyrenia, İskele, Famagusta and Güzelyurt regions are among the service regions. Because location, transport and access to materials are assessed per project, it helps to describe the project’s location in detail in your quote request. The survey and installation plan take shape from this information.

Yes, it can. On the coast, salty air, wind and sun come to the fore; inland, temperature swings and sun direction may matter more. That is why details, connections and maintenance expectations are assessed separately for each location; no single solution is promised for every region.

First a preliminary assessment is made from the location, photos of the area, approximate dimensions and the idea for its use. If needed, an on-site survey is planned; how and when it happens is settled per project. The more complete the preliminary information, the clearer the scope of the on-site inspection.

In the first conversation the type of area, the product you have in mind, the location, approximate dimensions and your expectations are discussed. If you share photos or reference images the conversation is more productive. No binding decision is needed at this stage; the aim is to understand the project and clarify the next step.

This varies with the type and location of the structure and with local regulations; in cases such as a new structure, a change to the supporting structure or a habitable space, permit processes are assessed separately. For permits and structural design, the competent authorities and the relevant specialists should be consulted. We can talk through the points to watch during the survey.

The authorised person is Görkem Aydeniz. Phone and WhatsApp details are on the Contact page; the Customer Advisor helps you gather the first details and find the right page.

You can request a meeting time through the Appointment form; you state a time that suits you and the team gets in touch. If you like, you can first describe the area and prepare your note with the project file tool on the Contact page, then request an appointment. You can also write on WhatsApp.

No, attaching a photo or drawing is optional. Still, photos of the area from a few angles, and an image of the existing structure if there is one, make the quote preparation clearer. Alongside the photo, writing the approximate dimensions and the location is a good start.

No prices are shown on this site; price is settled per project. Headings such as the size of the area, the chosen product and material, the condition of the supporting structure, access conditions and location affect the scope. Once the scope is written down, the price is assessed on that scope.

When your request has been submitted successfully you see a reference number. The team reviews your details and, if needed, contacts you for missing information; the survey and scope step is then settled. Price or schedule is not shared until a written scope exists.